Mastering Multiband Compression: Essential Techniques

Multiband compression, a complex and nuanced audio processing technique, is a topic of great interest for audio engineers and producers. This article aims to provide a comprehensive understanding of multiband compression, including its applications in mixing and mastering, setup strategies, and practical tips for effective use.

What is Multiband Compression?

Multiband compression is an advanced audio processing technique that divides an audio signal into several distinct frequency ranges or bands. Each band can then be compressed individually, allowing for detailed control over the dynamic range of different parts of the audio spectrum. This approach contrasts with traditional broadband audio compression, which applies the same compression to the entire frequency range. In audio mastering, this holds particular significance for balancing the overall equalization and ensuring consistent volume levels throughout the track. It is also used for mitigating any peaks that stand out and achieve higher loudness levels paired with an audio Limiter.

Key Aspects of Multiband Compression

• Frequency Band Division: The audio spectrum is split into separate bands, often lows, mids, and highs. The number of bands can vary from 2 to 6 bands usually. This division allows for targeted intervention in specific frequency ranges without affecting the others.
• Independent Band Compression: Each frequency band can have its compression settings, including threshold, ratio, attack, release, and make-up gain. This independence lets engineers address issues in one frequency range without impacting others.
• Precise Dynamic Control: By compressing each band separately, multiband compression offers a level of control that’s not possible with single-band compressors. It can fine-tune the dynamics of complex mixes where different elements occupy different frequency ranges.

Some History of Multiband Compression

Multiband compression has really changed since it started, becoming very important in music-making. Initially, it began when engineers in the past tried splitting sounds into parts and used different settings on each. They did this using special networks and several compressors. As computer tech improved, these compressors got better and easier to use in music programs. This change made it easier to control how loud or soft different parts of a song are. Multiband compression soon became critical in the audio mastering process.

Famous Songs and Multiband Compression

In lots of popular songs, multiband compression has had an important impact. For instance, in Michael Jackson’s “Thriller,” it was used to make the bass and drums stronger. Multiband compression allowed this without making the singing and high sounds less clear. Daft Punk’s “Get Lucky” also uses it to make sure the bass and drums mix together in a special blend with the guitar and singing.

Multiband Compression in Different Types of Music

How multiband compression is used in both mixing and mastering depends on the kind of music. For example, in rock, it makes drums and guitars clearer. In electronic music, it’s important to manage bass sounds. And in classical music, it’s used carefully to keep the natural sound of the orchestra.

Applications in Mixing and Mastering

In Mastering:

• Ensure Consistent Levels Across Frequencies: Multiband compression in mastering allows for the control of levels across different frequency bands independently. This tool is particularly useful for ensuring that each part of the frequency spectrum maintains consistent loudness. For example, mixing bass frequencies can be compressed differently from the mid or high frequencies, allowing for a more balanced and controlled dynamic range across the entire spectrum. This selective compression ensures that no single frequency band dominates or recedes too much, contributing to a more cohesive and polished final track.
• Balance EQ with Dynamic Response: Multiband compression can be used to dynamically balance the EQ of a track. Unlike parametric EQ, multiband compression responds to the audio signal in real-time, applying varying amounts of compression based on the input level. This allows for a more precise control over frequency balance. For instance, if the low-end becomes too dominant at higher volumes, the multiband compressor can automatically reduce its level, maintaining a consistent tonal balance. Similarly, it can control excessive brightness in the highs only when it exceeds a certain threshold, ensuring a smooth and even frequency response throughout the track.
• Control Problematic Frequencies: Multiband compression can tame specific frequency regions in a track, like bright cymbals in drum overheads. It is often used along with mid-side processing for advanced spatial adjustments and EQ control.

In Mixing:

• Bus or Group Compression: Utilize multiband compression on a bus or group track to glue together multiple instruments while maintaining their distinct dynamic ranges. This approach is especially effective when you want to tighten the overall mix without squashing the individual elements, ensuring each instrument sits well in the final mix.
• Fine EQ Control: You can use multiband compression to fine-tune a specific track or instrument. For example, to act as a de-esser for a vocal track or to compress the upper midrange of an over-accentuated pluck in an acoustic guitar
• Transparent Sidechain Compression: It’s useful for applying sidechain compression to specific frequency ranges, like compressing the low end of a bass in relation to a kick drum, without affecting the midrange.

Adjusting the Multiband Compressor

Understanding the nuances of multiband compressor parameters is key to harnessing their full potential. You will find these parameters in all the multiband compressors. Some types of audio compressors may have some extra advanced parameters, but for now, we will stick to the basics.

1. Threshold per Band

In a multiband compressor, the threshold is set individually for each frequency band. This allows for targeted dynamic control, where you can compress the low-end differently from the mid or high frequencies. For instance, a lower threshold in the bass frequencies can control booming. A higher threshold in the highs can maintain clarity without affecting the overall brightness.

2. Ratio per Band

Similar to the threshold, the ratio in a multiband compressor is also set per band. This flexibility allows you to apply heavy compression in one band (e.g., high ratio on low frequencies for punchy bass) while lightly compressing another (e.g., lower ratio on highs for gentle de-essing). This selective approach ensures that each part of the frequency spectrum receives appropriate dynamic treatment.

3. Attack and Release per Band

Each frequency band in a multiband compressor can have its own attack and release settings. Fast attack times in the lower frequencies can tighten up a kick drum, while slower attack times in the midrange can preserve the natural tone of vocals or guitars. Similarly, the release times can be adjusted to maintain the natural decay characteristics of different instruments across the frequency spectrum.

4. Adjusting the Knee

The ‘knee’ of a compressor refers to how gradually or abruptly the compressor engages as the signal approaches the threshold. A hard knee means the compression kicks in suddenly, which can be more noticeable and is often used for artistic effects or on drums. A soft knee introduces compression more gradually as the signal nears the threshold. In this case, resulting in a more transparent and subtle compression effect, ideal for vocals, bass, or mastering applications. Depending on the situation, you can adjust the knee accordingly along with the attack and release. Both parameters allow you to control how the audio is compressed.

5. Make-up Gain per Band

After compressing each band, you can use make-up gain to adjust the output levels of individual bands. This ensures that no frequency range is lost in the mix after compression. Balancing the make-up gain across all bands is crucial for maintaining a well-balanced mix. Multiband compressors also have a global output volume control that you can use to adjust the main make-up gain.

6. Crossover Frequencies

One of the critical parameters in a multiband compressor is the crossover frequency. This determines where one frequency band ends and another begins. Setting the crossover frequencies correctly is essential for ensuring smooth transitions between bands. It’s important to choose frequencies that don’t create phase issues. Find the sweetspot to provide the most natural-sounding division between different parts of the audio spectrum.

7. Advanced Parameters

In addition to standard controls, multiband compressors often include advanced features like mid-side processing for separate control over the center and sides of the stereo image and side-chain input for frequency-dependent compression. These advanced features offer more detailed sculpting of the audio’s dynamic content.

Tips to use the Multiband Compressor Effectively

Utilize these guidelines to fine-tune your Multiband compressor, and pair it with reliable studio monitors for accurate audio representation.

• Form a Strategy: Always have a clear goal or outcome in mind before using multiband compression. This approach helps in avoiding unintended changes to the sound.
• Band Setup Decisions: Decide the number of bands, choose crossover frequencies, and set compression parameters for each band. You should aim for simplicity and effectiveness.
• Start from a Neutral State: Begin with no compression applied, raising all thresholds to 0dB and turning off any extra processing.
• Use One Band at a Time: To avoid complexity, focus on compressing one frequency range at a time. Pay attention to specific aspects like the punch of a bass drum or the attack of a snare.
• Solo Bands for Analysis: Use the solo function to focus on specific frequency ranges. Adjust cutoff frequencies to target precise areas for compression.
• Regular Bypass Checks: Like any other audio processor effect, regularly use the bypass function. This will ensure that the changes are improving the sound rather than degrading it. This step is crucial for assessing whether the compression applied is enhancing the track or if it needs further adjustment. It guarantees that the dynamic range is controlled as intended. The character of the sound should remain consistent with the overall mix.
• Compare with similar levels: Make sure to match the levels when doing this comparison to ensure objectivity. In Mastering, this takes special importance as the sound perception at a higher volume will make it feel better.
• Avoid Overuse: Be cautious of overcompressing, as it can lead to a loss of dynamics and a lifeless sound. Use a gentle touch for a fuller sound.
• Solve Specific Problems: Utilize multiband compression to address a specific purpose like solving sonic issues or balancing the overall mix. For example, if you are trying to solve sibilance or finger squeaks in an acoustic guitar, apply compression only to the problematic frequencies and then use a broadband compressor for standard compression.

An Overview of Popular Multiband Compressors

There are many multiband compressors, each with its own special features. The Waves C4 is known for being very adjustable and exact, which is great for final touches in music. The FabFilter Pro-MB is easy to use and has cool features like mid-side processing. The UAD version adds a warm, rich sound, which is ideal for a musical feel.

Waves C4 Multiband Compressor

The Waves C4 is a versatile multiband compressor known for its precision and adjustability. It allows users to manipulate four separate frequency bands, each with its own set of compression settings. This compressor is particularly favored for mastering due to its detailed control over the dynamic range.

Pros:

• High Precision: Offers exact control over each frequency band.
• Flexible: Suitable for various applications, from subtle dynamic control to more aggressive compression.
• User-Friendly Interface: Intuitive design makes it easier to navigate and adjust settings.

Cons:

• Complexity: Can be overwhelming for beginners due to its detailed controls.
• CPU Usage: Might be resource-intensive on older or less powerful computers.

FabFilter Pro-MB

The FabFilter Pro-MB stands out for its user-friendly interface and advanced features. It provides a more intuitive approach to multiband compression. Includes options for creating bands at any frequency range. Additional unique features like mid-side processing and dynamic phase control make it a great choice for professionals.

Pros:

• Ease of Use: A simplified interface makes it accessible, even for those new to multiband compression.
• Advanced Features: Offers mid-side processing for greater stereo image control.
• Flexible Band Creation: Allows for bands to be created and manipulated freely across the spectrum.
• Linear Phase: Includes a Linear phase processing mode, eliminating phase issues at the cost of extra processing power and latency.

Cons:

• Price: May be more expensive compared to other options.
• Learning Curve: While user-friendly, its advanced features might require some time to fully master.

UAD Precision Multiband Compressor

The UAD Precision Multiband Compressor is known for imparting a warm, analog-like sound to mixes. It’s often used to add musicality and character to tracks. It’s a favorite for professional engineers who want to enhance their mixes with low latency and precision.

Pros:

• Analog Warmth: Adds a rich, warm character to audio, mimicking analog gear.
• Musical Compression: Tends to enhance musical elements rather than just controlling dynamics.
• Build Quality: Like most UAD plugins, it is well-crafted and reliable.

Cons:

• Hardware Dependency: Requires UAD hardware to run, which can be a significant additional expense.
• Less Versatile: While great for warmth and character, it might not be as versatile as other digital options for precise dynamic control.

Each of these multiband compressors offers unique advantages and potential drawbacks. Choosing one or another depends on your needs and preferences which may vary depending on genre or mixing style.

Understanding the Tech: Crossovers and Phase Issues

Crossovers in multiband compressors split the sound into different parts. However, they can cause phase issues where the sound doesn’t blend well. So, by using special linear multiband compressors you can fix this issue, but they can make things a bit slower. Knowing this helps you decide which multiband compressor to use and how to make the most of it.

Creative Uses of Multiband Compression

Multiband compression is a versatile audio effect processor that can do more than just control loudness. It includes techniques like dynamic EQ, which mixes EQ and compression. Parallel techniques mix compressed and original sounds for more depth. It’s also used in sound design for unique textures and dynamics, which regular compressors can’t do.

Challenges and Considerations

While powerful, multiband compression requires a thoughtful approach. Incorrect use can lead to an unnatural-sounding mix, phase issues, or over-compression. It demands a good understanding of both the audio material and the compression tool.

Conclusion

Multiband compression is a powerful tool in both mixing and mastering, offering unparalleled control over different parts of the audio spectrum. Much like how stereo field manipulation can enrich a track’s spatial quality, multiband compression offers extra dynamic control. Understanding its principles and applying it judiciously can lead to significant improvements in the quality of audio tracks. It suitable for controlling problematic frequencies, achieving transparent sidechain compression, or enhancing the overall cohesion of a mix. Multiband compression, when used effectively, is an invaluable asset in an audio engineer’s toolkit.