As technology evolves, so do our creative capacities. Recording equipment and techniques have rapidly advanced since their humble beginnings in the early 20th century. Just as other forms of art and entertainment like movies, games, and literature, music production has benefitted greatly from the digital age. While some engineers swear by their hardware (vintage or modern), the truth remains that recording and mixing great sounding songs no longer requires all the physical gear once necessary. The term, “mixing in the box” describes performing the mixing process without the use of external hardware.
Choosing to mix in the box as opposed to strictly using hardware or a combination of the two mostly comes down to two factors: preference and cost. Those who grew up mixing a certain way will tend to stick to what they know. So, many who started out before the digital age took over still prefer their trusty mixing consoles. The upcoming generation of producers and musicians will most likely stick to mixing in the box because of how fleshed out, efficient, and intuitive DAWs have become. Plus, on the financial end, it’s a lot cheaper and space saving to mix in the box. Sure, purchasing the right software and best plugins can run you some hundreds of dollars, but everything will be right there when you need it and can be updated at little to no cost.
If you decide to mix in the box, it’s good to know a few things beforehand. Let’s take a look at five tips for producing great sounding mixes by mixing in the box.
1. The front end comes first
Now, this goes for any recording, no matter how it’s mixed. The front end refers to everything that goes on before the mixing process. That is, where the recording takes place, the equipment used to record (microphones, amps, interfaces, etc.), and, of course, the performances themselves. Without a strong foundation, mixing can only get you so far. Basically, a great recording requires less tweaking, which makes mixing in the box that much easier. So, before you do anything, try to avoid bad recordings at all costs.
2. Find your favorite effects, plugins, and settings
Again, one of the key advantages of mixing in the box has to be the flexibility and number of options at your disposal. With hardware, you’re beholden to limitations of the physical unit. Software, on the other hand, can function with more variety, even emulating hardware. As long as you have enough RAM and CPU, the sky’s the limit. Use this flexibility to your advantage by exploring the wide vistas of plugins and effects both within your DAW and online. From compressor plugins to graphic equalizers, tape delay emulations, and so much more, the number of fantastic tools out there can boggle the mind.
3. Try a template when mixing in the box
Once you’ve found your golden hoard of plugins, effects, and settings, consider creating a template. The method for making a template differs slightly from DAW to DAW, but the process is mostly the same. In Logic Pro X, for instance, you simply label your channels, pre-load any plugins to each channel, then click File > Save as Template. Now you can access this template at any time.
While modern mixing hardware can save session settings as well, having templates at the ready when mixing in the box streamlines the process considerably. Any template can be adjusted, too. So if you come across an even better plugin or setting, you can simply override the existing template.
4. Compensate for latency
Just because mixing the box comes with so many benefits doesn’t exclude it from certain flaws. Latency presents the greatest obstacle to mixing without hardware, though it affects the recording process more than anything. Fortunately, it’s a far less onerous obstacle than it used to be. Today, just about every DAW automatically compensates for latency, meaning fewer headaches on your end.
Still, latency will occur from time to time. This can result from a number of things, but most often it derives from an overload of CPU-sucking plugins. In addition to automatic latency compensation, upgrading your processing speed will reduce latency issues. Additionally, using more efficient, less taxing plugins always helps.
5. Leave enough headroom
Setting proper recording levels and gain-staging always matters when mixing, inside the box or otherwise. In the past, when audio software wasn’t nearly as powerful as it is today, DAWs couldn’t process as much data. This ultimately meant less bit depth, and thus less headroom, more clipping, and shallower mixes.
Today, however, the amount of headroom one can achieve in the box compares or even exceeds to that of a mixing console. The ability to record in 24-bit and work at 32-bit-float should give anyone enough headroom in the mix. But, to be safe, keeping the master fader low will help you achieve greater depth in your mix overall, and help avoid clipping when bouncing in lower bit depths. If the master channel doesn’t have enough headroom, clipping can occur when rendering in non-float formats (16bit, 24bit, etc).
The truth is, mixing in the box is just as viable as mixing with hardware. Many of the world’s top engineers and producers use both methods or some combination of them to achieve their goals. Yes, there was a time when mixing in the box meant less authenticity and poorer quality, but that time has long since passed, and the stigma along with it. With the agility and flexibility of modern DAWs and plugins, one would be remiss to not utilize the fruits of today’s technology. There is simply so much creative potential waiting to be unlocked by mixing in the box, even if it’s only part of the process.
Just remember, if you choose to strictly mix in the box, don’t forget the essentials. A great sounding recording will always result in a better sounding mix.
About the Author
Ethan Keeley is a musician, voiceover talent, and writer from Rochester, New York. When he's not on tour with his band Unwill he's working on new songs and stories.
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